Arcana XV Tarot Card Meanings and Tarot Deck Reviews | |
 It is with a very heavy heart that I feel compelled to give this deck just 2 stars. It's not because I hate it, in fact, I absolutely love it. The problem is that this is not a Tarot deck, even though it is. I know, I know, it's very confusing. It will all become clear when I explain exactly where this gorgeous deck goes terribly and infuriatingly wrong.
First, let's get the basics out of the way:
The Tarot Favole (art by Spanish illustrator Victoria Francés ), scans of the cards now available for viewing in my Tarot Gallery, comes in a standard cardboard box containing 78 cards and a small booklet listing very basic card meanings in English, French, Portuguese and Spanish. As seems to be the norm with decks published by Fournier, the cardstock is rather flimsy and bends very easily. Daily rough shuffling might not be the best idea for this deck if you want to keep it in good condition for longer than a week.
The cards themselves, again a constant with Fournier decks, are small and narrow in size. I was very disappointed by this fact when I received The Labyrinth Tarot by Luis Royo as was evident in my review, but, surprisingly, this doesn't bother me at all with this deck. The small size seems to fit well for some reason and does nothing to diminish or detract from the artist's obvious talent. The captions on the cards are in Spanish at the top and English at the bottom. The card backs are decorated with a discreet leafy motif in shades of dark gray.
The atmosphere of the deck is dark and Gothic, with interesting colorful splashes of the Carnival of Venice here and there.
Now, for the reasons why this deck is so appallingly disappointing for the Tarot enthusiast in me:
First and foremost, the artist herself did not set out to create a Tarot deck. It was created from her extensive collection of drawings and illustrations, purely as a means to showcase her art. It's merchandising, pure and simple. This, in and of itself, would not have been such a bad thing if any thought at all had been given to making sure that actual Tarot symbology was respected. Looking through the deck, it's pretty obvious that whoever put it together has extremely basic notions on the subject. Nowhere is that more apparent than in the Major Arcana cards representing the Magician and the High Priestess. I look at these two cards and I just want to scream "No! This is all wrong! You've switched them around!!" I dare anyone to take a look at those two cards and tell me I'm wrong.
Another pair of cards that should be switched around in my opinion, although my reaction to them was not nearly as strong as with the other two, are Justice and Judgment. All that fire and burning at the stake just does not belong in the Judgment card, but rather more in a perverted vision of Justice, while the angel with the dark raven wings definitely belongs in the Judgment card .
The rest of the Major Arcana retain a very faint similarity to the traditional imagery one expects in a Tarot deck. The Fool I must say is one of my absolute favorite Fools ever; The Lovers and The Moon are lovely; The Empress and Emperor are in character, at least from a Gothic point of view; The Chariot and Temperance are a little perplexing; The Devil, deliciously seductive. The Tower, Star, Sun and World all very disappointing, but still very beautiful cards.
Everything so far is more or less acceptable, as long as you're not a purist. If it weren't for the vile switcheroo performed by The Magician and The High Priestess, I would be mostly okay with these Majors, albeit a little bored.
The fun part, however, comes with the Minor Arcana. It's divided into 4 suits, the Court cards are very nice for the most part and it has unillustrated pips. Nothing out of the ordinary so far, except that these are not your usual suits. Here we have Crosses, Butterflies, Flowers and Masks.
"Oh, interesting", I thought. "I wonder what the little white booklet has to say about these." Well, the LWB doesn't have a thing to say about them. Nothing. Zilch. Nada! It lists the meanings for the traditional suits of Wands, Cups, Swords and Pentacles. It is utterly and completely useless with this deck. Another reason for my giving this deck just two stars.
Of course that only made it more fun and challenging for me, though. I decided to attribute my own associations to each suit. Crosses became the Earth suit; the Masks suit instantly made me think of Wands, so that was my Fire suit; the suit of Flowers (actually black roses) is the darkest one and the thorns brought tiny little Swords to mind, so I attributed the element of Air to it and finally, to the Butterflies, a pink, lovely and romantic suit, I attributed the element of Water.
The fun part is that everyone is free to make any associations they want in regards to the suits. They are all neutral enough, yet contain enough subtle symbolism to speak differently to each reader. I think this is one of the few good things about this "Tarot" deck. It's an amazing tool for intuitive readers like me. The few readings I've done with it, have worked surprisingly well. Once I gave the different suits my own associations, I really connected with the deck quite strongly.
I really, really adore this deck in spite of, or maybe even because of all its faults. The artwork is gorgeous, the atmosphere is enthralling and, even though it only pretends to be a real Tarot deck, it's actually very good at it. That's why it kills me to have to give it only 2 stars, but I feel that as a Tarot reviewer I can't possibly give any more to a deck that is only just a sham. No matter how much I personally love it.   I've finally received my copy of the Necronomicon Tarot, by Donald Tyson, illustrated by Anne Stokes. Scans of the cards are now available for viewing in my Tarot Gallery.
This kit comes in a box containing a deck of 78 cards, with an additional 2 cards listing the elemental and/or astrological correspondences for the Majors and the Court cards; a black organdy bag to store the deck in and a companion book of over 200 pages. The card stock is rather thin, but not flimsy, and bends easily. The images are colorful, yet retain a dark and menacing atmosphere throughout. This is definitely not a deck one would use for happy occasions. It is a very dark, albeit sort of Halloweenish deck.
The deck is based on Donald Tyson's own version of HP Lovecraft's Necronomicon and, going by the many disillusioned comments I have read online in recent weeks, will almost surely disappoint the fans of the original. I, myself, am only very vaguely familiar with Lovecraft's work, so I can't really comment on what about it has so disappointed Lovecraft aficionados. I'm also not familiar with Tyson's books at all, so this review, in that respect, will be quite unbiased.
I bought this deck because the dark fantasy images grabbed me and I thought it would be a nice addition to my very eclectic tarot collection. I wasn't disappointed with the cards. Although more than a few seem to come right out of a video game, others are simply stunning and give a completely new dimension to the traditional interpretations. The straggly haired Hermit (see picture), holding up a mirror in his talon-like hand gives new meaning to the concept of introspection and facing up to one's internal demons. It's one of my favorite cards in this deck.
The Fool is numbered 0, Strength VIII and Justice XI. The suits divided into Wands, Cups, Swords and Disks, follow the elemental attributes of Fire, Water, Air and Earth respectively. Nothing out of the ordinary so far.
What struck me the most about the images, both in the Majors and the Minors, was the presence of a negative twist even in the most traditionally positive cards. I'm thinking more specifically of the uncharacteristically obese Fool, who just sits there playing his flute and can only dream of ever being as light and free as the notes coming out of his instrument; or the frighteningly demonic Empress, who seems to embrace both life and death with equal glee; or the threatening, angry-looking hound guarding the Star; or the menacing sandstorm in the Sun card.
In the Minors, the most striking card is the Ace of Cups. Filled to the brim, the cup shoots out three streams of blood, (yes, blood!), two of which fall to the floor in a puddle while the third creates a beautiful red rose right above the cup.
The Two of Cups and the Two of Swords seemed to belong in each other's suits at first glance, but then I noticed the dagger that the woman in the Two of Swords is still holding on to and I realized that the card was actually perfect where it was.
The suit of Disks, while very intense, perhaps too intense for this particular suit, gives me the most trouble. It simply makes no sense to me from a traditional standpoint. While the images in the other suits seem to follow the usual interpretations of the Rider Waite system, this suit does not. Most especially the Three of Disks. This image is utterly perplexing to me. Even more so when I look to the book to get the author's interpretation of it: Work, skilled labor, craft... He then goes on to describe the image as a young sorceress stealing the arm off the corpse of a recently executed criminal. What that has to do with hard work and craftsmanship, I have no idea. The rest of the suit tells the story of what happens to that arm she stole and it is quite interesting to see the story develop, but again, what does any of this have to do with the suit of Disks??
The suit of Disks is the reason I'm giving this deck just 3 stars. If you read intuitively, as I do, it might not bother you at all, but if you rely on the traditional interpretations of the cards, you will find that the images in this suit are very confusing to you. It is most definitely not a deck for beginners.
I find it quite difficult to read with so far, my intuition doesn't seem to work well with the energy of this deck, but I do love to pick it up and just look at the images and study them. It is a very nice deck if you're into this sort of art. I don't think it will ever be one my main reading decks, however.
A very different, very interesting deck overall. Dark, twisted and quite unpredictable. I'm definitely looking forward to getting to know it better in future and get to the bottom of that maddening suit of Disks!
  I've just received my copy of The Labyrinth Tarot by Spanish fantasy artist Luis Royo. Scans of the cards can be viewed here. The packaging consists of a standard cardboard box, containing 78 cards and a small booklet listing the basic card meanings in English, Spanish, German and Portuguese. The card stock is rather thin and bends easily, but seems sturdy enough to withstand daily use provided it's not handled too roughly. The cards themselves are disappointingly small and narrow in size. The gorgeous drawings by the artist would have stood out so much more on a larger card size. This is my only real complaint about this deck and the reason why I gave it 4 stars instead of 5. The Major Arcana images are drawn in monochromatic, gentle and soft sepia tones, whereas the colors in each suit of the Minor Arcana are, by comparison, quite vibrant and strong. Each suit has its own specific color: Forest green for the suit of Wands; a deep dark red for the suit of Cups (see image at right); sapphire blue for the suit of Spades and a rich gold for the suit of Pentacles. The uncharacteristic colorful focus on the Minors instead of the Majors makes this deck rather special. Most artists usually seem to work a lot harder to make the Major Arcana cards as striking as possible; Luis Royo has done the opposite. The very subdued Majors, while artistically flawless, become almost invisible when seen next to the more flamboyant Minors. The King and Queen of Cups, for instance, literally overshadow the Emperor and Empress, when these cards are placed side by side. The artist was obviously inspired by the Tarot of Marseilles when creating this deck. There are many details that follow the Marseilles school of Tarot: The Fool has no number, unlike in most modern Rider Waite or Thoth style decks where it is usually numbered 0. In this deck the numbered cards start with the Magician at number I. Justice and Strength are numbered VIII and XI respectively. Card number XIII, as is traditional in most Marseilles inspired decks, has no name. "L'Arcane sans nom" (Arcana without a name) is more commonly known in Rider Waite style decks as "Death". The Minors, again following the Marseilles tradition, are unillustrated pips, featuring medieval dangerously spiked clubs in the suit of Wands, large cups and bowls in the suit of Cups, swords in the suit of Spades and golden shields engraved with a pentagram in the suit of Pentacles. The Court cards are a mixture of Marseilles, Rider Waite and Thoth inspiration. Here we have female Jacks (Princesses) and very young Queens, featuring beautiful topless women; Knights, whose faces are all hidden behind masks, in full battle gear on their dark horses; and finally, Kings sitting on their thrones, quite old, weathered and wise looking, with the exception of the surprisingly young and defiant King of Spades. The elements of Air, Fire, Earth and Water traditionally associated with Spades, Wands, Pentacles and Cups respectively, seem to have been switched around a little in this deck. I haven't yet received the companion book written by the artist, so I may be mistaken, but it seems to me that, according to the colors he has chosen for each suit, he has attributed Fire to both the suits of Cups and Pentacles and Earth to the suit of Wands. The suit of Spades seems to have retained its traditional element of Air. In this interpretation, the element of Water would be missing. Another interpretation that occurred to me, however, would attribute both Fire and Water to the suit of Cups. The combination of these two opposite, but complementary elements in a suit that deals with the complexity of human emotions as well as romantic love is one that has always appealed to me. If this is what Luis Royo intended to convey, then I am in total agreement with him. I absolutely adore the suit of Cups in this deck. Red is my favorite color and Fire my favorite element. The many references to this element match what I have always felt was present in a lot of the Cups cards, most especially in the Ace and the Knight. A small detail that has often been mentioned by other reviewers about this deck, is the printing error on the Emperor card. It is named as The Empress in the English caption, in the upper right hand corner. The other captions in Spanish, German and Portuguese are all correct, so this was obviously not intentional. It appears that this error was present in the first limited edition printed in 2005 and was apparently never corrected in subsequent editions. Despite its small size, this deck is truly a feast for the eyes. The artist used all my favorite colors and the artwork does not disappoint, although some of Royo's fans will find that the imagery is a lot less aggressive than what they may have previously seen from his work. I am very much looking forward to doing readings with this deck and will probably add to or edit this review, once I have gotten to know the cards a little better. I am especially curious about how the mixed up elements in some of the suits are going to affect my readings. Beautiful and intriguing deck overall, well worth adding to any Tarot collection and a good modern alternative if you like Marseilles style decks. 
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